30 November 2017

Trying not to lose more

Today is Remembrance for Lost Species Day, this year the emphasis is on Pollinators. I have made envelopes using plant materials and put collected seeds in to send or give to others, in the hope that we do not lose any more either of the plants that feed them or the insects that Pollinate our food. We will all be so much poorer if the non-human residents in our shared world are not cared for.

29 November 2017

WW1 memorial exhibition


For eighteen months OuseLife artists, have been working on ideas, materials and technical problems to make an installation in the west tower of Ely Cathedral  next year. The theme of this exhibition is the centenary memorial of World War 1.

The actual making is always the easiest part, meetings and problem solving are the challenges. Sometimes communicating between artists can be challenging too, we all have strong visual ideas, translating those into words and keeping to deadlines is much more difficult.

Images of work in progress have been shared among the group, encouraging each other is an important part of the project when materials and techniques are a collaboration. I am only showing a taster here.

Deadlines for this have to be well planned, publicity and installation will need to go smoothly as there are so many variables to go wrong and people involved
It is fun playing in such a wonderful public building with so many different uses, so many people but it does mean we have to be aware of and sensitive to their interests.





21 November 2017

art science final phase and reflections

The final exhibition of Art and Science with SRUK will be shown on December 6th, 7-9p.m.  at Barnabas Church, Mill Road, Cambrideg, CB1 2BD


The art-science collaboration with SRUK has been brought up some interesting preconceptions about different fields of work. The mutual value is not often recognised in the academic world. 
While working alongside a scientist it has been interesting to hear from her the perceptions of how artists work, there is a romantic and unreal view of artists as professionals. The comments at the panel discussion reinforced this and brought up something that I had not even thought of. The comment was 'when artists work with scientists they will be recognised for their work, it is a good thing to have on the cv. For a scientist this is not the case, it is not considered beneficial to research or professional development.'

I think the misunderstanding may be that the collaboration is useful from a professional point of view, but in my experience this recognition does not help in making a living as an artist, unless of course there is an institution or business with a commercial interest involved. Even then the art world is so often seen and experienced as a recreational activity, so not a business to think about financial viability. This means that even when working alongside universities or other organisations the artist is not seen as a professional consultant who deserves to be recognised with suitable fees. 

I find there is always a need to educate when working with clients. a-n, an organisation who has represented artists in the UK since the 1970's, has produced several documents over the years for artists to share with clients, commissioners and institutions. One of the latest is an in depth document which includes the national value of art and the work of artists to the national economy. This might be considered heavy reading to some, but it is essential that artists are seen as both valued and respected for their long term contribution to society. 

Thinking along these lines I am more inclined to try and work more rigorously, to focus on the work that really makes people think about process and environment. I am so often attracted to making work that is potentially commercial, but never seems to be really successful. I will revisit Fair Trade: Material Matters and other projects to reflect on this.



19 November 2017

Art Science event at Telefonica, Madrid

The team presenting work as part of SRUK at Telefonica, Madrid. 3 scientists, 3 artists presenting work as part of Madrid Science week.
Jonathan Heras, Juan Gonzalea-Varo, Ana Lopez-Ramirez, Tomas Di Domenico, Jane Frost and Marta Fuster Barutell


Presentation at Telefonica Fundacion, a really interesting event to take part in





14 November 2017

Art Science collaboration at Madrid Science week

The collaboration with Ana Lopez Ramirez, Regeneration and Recycling was selected for second prize and is currently at Madrid science week. We go tomorrow to participate in a panel discussion at Telefonica Tower on Thursday, hoping to understand enough as it will be mainly in Spanish.

Learning through sharing an interest in the issues of a sustainable and healthy world, making relationships that I could never have predicted. It seems my selection of materials and display enabled the work to cross language, culture and practise barriers. Even the forms I made relate to DNA structures that I was unaware of until recently. Always so much more to learn and experience. 



04 October 2017

Workshop news



The new season of workshops at WWT Welney got off to a good start and now FrostArt workshop site is up and running with a booking calendar it will be easier to share what is happening there.
This week I am working with Isle of Ely Primary School to make a giant willow apple for 21st October, Ely Apple Day 

02 August 2017

New season of workshop dates at WWT Welney

Autumn and winter workshops at WWT Welney 2017-2018Workshop leader Jane Frost

              September 23rd Garden Structures and Basket forms
              October 7th        Basket forms and Sculpture*

              November 4th    Garden Structures and Sculpture

              November 25th  Christmas Decorations*

              December 2nd    Decorations and Sculpture

              February  3rd     Living Willow structures

              March 3rd             Garden Structures and Basket forms

              April 8th             Garden Structures and Sculpture

Workshops are suitable for beginners as well as those with some experience. Learn a variety of techniques for sculpture and hangings for interior or exterior pieces.
Students will be able to achieve a selection of sample pieces combining weaving, wrapping and braiding.
Remember to wear suitable clothes. For larger structures there is an outdoor area to work sheltered from rain, but it can get windy, hot or cold.
Workshops have maximum of 8 places to provide students with good teaching and space in the workshop. Willow is prepared about a week in advance of each workshop and can be selected for your project if you let Jane know. 

Tools and willow are provided
Additional things you might like to bring
1.    Scissors and string
2.    Garden wire
3.    Sharp knife - Stanley or craft
4.    Gardening gloves (optional)
5.    Notebook, sketchbook, pens and pencil
Workshops run 10a.m – 4p.m. with a break for lunch; bring a packed lunch or use the visitor centre café.
One Day Workshop fees £45 plus £15 for basic materials
Booking requirement is by full payment at least 7 days in advance of the workshop date
* October workshop is recommended for intermediate students or those with some experience of using willow
*Christmas Decorations half day £35 all inclusive – Two half day workshops 10-12.30 and 1.30 – 4p.m. You may book for full day fee £55
Please make cheques payable to Jane Frost
Send to 32 Woodfen Road
Littleport, Ely, Cambridgeshire CB6 1JP
Payment can be made online by bank transfer, details on request
Phone   01353 861944 or 07967 088 348

Workshops take place at WWT Welney Visitor Centre

Hundred Foot Bank
Welney
Nr. Wisbech
PE14 9TN

Book group workshops or one to one sessions on dates and venues of your choice, please contact for more information. Jane Frost has experience of teaching people with a variety of special needs. got here for more information

14 June 2017

Installations , contexts and scale

There has not been time to write about the work that has taken up all my waking hours for the last few weeks.
My work is never made in isolation and always has unpredictable exchanges with people and places. seeing scale and material change depending on contexts is always a refreshing experience.
On Wednesday 31st May I spent some time thinking about Slow Making and installed work in the Prickwillow Phone Box Gallery it felt like a rest from meeting deadlines and demands, time spent with lots of other people is always stuimulating but needs to be balanced with space to reflect.


On Sunday 11th June I was in the Bishop of Ely's garden as part of the Open Gardens Scheme. a great day meeting friends and making new ones in the context of these beautiful, peaceful surroundings, which I am privelaged to use as a workshop. The work on show in the gardens has been made on site, travelled to other venues and returned to be stored or sold from here.


On Monday 12th June I spent the morning putting work in place ready for the showcase event in London. It will take place on Saturday 17th June at Instituto Español Vicente Cañada Blanch, a good place to show the collaborative work with Ana for the first time.

 

Such different places, each with its own way of affecting the interaction from the community that uses it regularly. I need time to reflect on how all these places and people will interact with the work and maybe how the work will change the community view of familiar and commonplace.

 


31 May 2017

Slow Making reminder

The reasons to work reflectively and consciously are often distracted by realities of making for a client, site or project.
Over the last few weeks I have had opportunity to work on both new and familiar, meetings with new clients, older colleagues and friends have reminded me that work is always made in context of relationships and sites.
I am installing some work in the Prickwillow Phone Box Gallery today and decided it would be  been a good opportunity to remind myself about the conscious process of Slow Making.

 
In the nature of Slow Making, the installation will develop over the month of June. 
Back in the studio the work for SRUK is making progress, it has been great to remind myself of skills, techniques and materials that I haven't used recently. In the nature of Slow Making, I find there are always closer relationships between projects and I manipulate and understand more than I anticipate. 

16 May 2017

Out of the studio, making links

So today is the start of a week of completing and installing work for two very different projects. 

One for the Science Festival in Ely Cathedral, where a group of artists from OuseLife have been working with teachers and schools in Cambridgeshire to make very large scale work for this prestigious festival.

One for interior designer Giovanna Ticciati at Clekenwell Design festival, where I have been making the stand to display her work in the crypt of St James Church. I am really looking forward to placing work in this very special venue in the centre of London.

These projects have, as always, extended my knowledge of people and places and introduced me to new ways of seeing and may be included in the next chapter of the Slow Making process.

This entry has no images but lots of links to follow. It will be worth taking a journey in the physical world to visit them in person!